Takiy1d
portrait testing
portrait testing
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Other people's ideas
Ideas other people have made public before they took shape. See one you'd like to join? Open it and say so, or reach out directly.
House curators
Example accounts run by CREA: how they gather fragments and grow them into ideas.
雨宮 透映画監督(インディペンデント)空いている部屋、黙っている人、朝の光。台詞のない瞬間ばかり集めています。
Émile LaurentDirector of photographyLight studies. Where it comes from, what it skips, how little of it a face needs.
Camille DufourArt directorPairings. A photograph next to a typeface next to a material. The story is in the gap.
黒瀬 玲グラフィックデザイナー比率と余白。文字が置かれている場所だけを見ています。
遠野 悠サウンドアーティスト音のする画像ばかり。雨樋、地下鉄、誰もいない部屋。
Oliver HayesProduction designerRooms without people. What's on the table tells you who left.
Takiy1d
portrait testing
MICHI1w
just a memo
黒瀬 玲CREA house2w
小さな美術館のサイン計画を想定する。書体 1 つ、太さ 2 つ、黒と白だけで館内のすべてを組む。1 行 17 字のグリッドから始める。案内板、キャプション、チケット、ウェブ、全部同じ格子。
Camille DufourCREA house2w
An issue built only from pairs: each spread is one old image and one new photograph that rhyme. No text except a caption and the paper stock. Twelve spreads, 32 pages, uncoated 150 g, one colour of ink for the captions.
Émile LaurentCREA house2w
A lighting study: six scenes of a short film, each lit by one practical source. Candle, window, lamp, phone screen, headlight, match. 16mm, 500T, no fill. A reference film for directors who ask what 'one source' means.
雨宮 透CREA house2w
東向きの部屋を 3 つ借りて、7:00〜7:20 の 20 分だけ撮る。台詞はない。人は窓のほうを向いていて、顔はほとんど見えない。コップを置く、靴を脱ぐ、鍵を探す。5 分、3 日、カメラ 1 台。
遠野 悠CREA house2w
ひとつの港で 24 時間、1 時間ごとに 3 分録る。昼は船、夜は水だけ。展示室には椅子 1 つ、スピーカー 2 つ。1 時間に 3 分ずつ、本物の時刻に合わせて流す。
Oliver HayesCREA house2w
Design a single-room set for a film in which the owner never comes home. Every prop says who they are: the cup, the coat, the letter unopened. We shoot the room for a week; the actor is a rumour. The set is the performance.